Our summer exhibition programme will include a solo presentation by the internationally acclaimed Scottish artist Katie Paterson, presenting her new work Afterlife. Commissioned for Folkestone Triennial 2025, curated by Collective’s Director Sorcha Carey, this important new work will be shared with audiences in Scotland for the first time at Collective.
Afterlife brings together nearly 200 amulets in a sculptural installation designed in collaboration with Berlin-based architects, Zeller and Moye. Amulets are miniature talismanic objects, typically carved in stone. Appearing across millennia and cultures, they are small enough to be held in the hand or worn, and are generally considered protective.
Afterlife reimagines this tradition. Working with museums around the world, Paterson has recreated amulets civilisations across the globe (including Mesopotamian, Egyptian, Viking, Islamic, Japanese, Indian, Chinese, Celtic, Greco-Roman and Pre-Columbian), using materials sourced from endangered landscapes and fragile ecosystems, to serve as a bridge between past and present.
The materials used to recreate the amulets reflect the pressing environmental issues of our time. Rocks from glacial terrains left bare by retreating ice, coral from the Great Barrier Reef, stones from islands facing rising sea levels, and other materials from devastated or threatened ecosystems are transformed into tiny objects of reflection, connection and renewal. Each chosen material carries a story of environmental fragility, symbolising urgent issues such as biodiversity loss, deforestation, and the impact of climate change.
Installed in a distinctive circular table crafted from sycamore by local makers Silvan, Afterlife explores themes of deep time, geology, and the environment. Drawing on centuries of cultural and spiritual traditions to reflect the fragility of the natural world today, Afterlife prompts us to consider the legacies we leave for future generations.
Afterlife was commissioned by Creative Folkestone for Folkestone Triennial 2025, with additional support from The Shifting Foundation, Collective Edinburgh and Goethe Institut Glasgow.