This is How We Walk On The Moon (2007)
This film was available until Wednesday 8 April 2020.
In this unique moment of upheaval and change we believe now more than ever it is important to fulfil our mission to bring people together to look at, think about and create contemporary art. Over the next four weeks we’ll be screening a series of films commissioned by Collective, each grounded in artists building works of mutual interest between themselves and participants, and in unpicking the tangled forces that shape our lives today. Some have been produced by artists working directly with groups to explore what can be achieved collectively, while others explore how people have organised in the near past.
Each film will be available free here on our website for 7 days, at the end of which we will host an informal online discussion on Zoom, framed by a few prompts we’ll share in advance. This is a chance to come together, talk about the films, and discuss how they relate to our current situation. Find out more here.
This is How We Walk On The Moon
Johanna Billing spent October 2006 living in Edinburgh. During that time she became involved with members of Fence music collective and collaborated with them to make a new film, This is How We Walk On The Moon.
Set on the Firth of Forth, the film centres on the sea and the experience of sailing. Intrigued by the contradiction of Edinburgh's proximity to the North Sea and the apparent disconnection of the majority of the population to it, Billing invited a group of local musicians on a sailing trip. Events unroll, from the preparations on land through to the journey under the Firth of Forth Rail Bridge, the students' first awkward steps in unknown territory. The commensurate soundtrack: "This is How We Walk On The Moon," takes a 1980's song by experimental New York-based musician Arthur Russell, in an interpretation rendered by Billing and her collaborators using voice and string instruments.
Read more about the film in this accompanying essay by Brian Kuan Wood
This work was made in collaboration with Johnny Lynch, Emily Roff, Joe Colliers, Jenny Gordon and Guthrie Stewart.
Johanna Billing has been making video works since 1999 that weave together music, movement and rhythm. Merging the production modes of collective live events and workshops with a cinematic language, Billing in part directs the participants and in part activates a series of improvisations around the notion of performance and the possibility it holds to explore issues of the public and the private as well as the individual in the society as a whole. Billing often addresses political climates and cultural specificities, but more importantly she transforms, through a documentary method, her filmmaking in a fictive space to examine actual and contrived events and how that filmed compression illuminates their overlap. Billing’s films often involve music, which in her hands becomes a tool for communication, memory and reconstruction.
Recent major solo exhibitions include: In Purple, Jönköpings Bibliotek, Fokus Cinema, Jönköping, (2018), 15 Years of You Don't Love Me Yet, Laveronica Gallery, Modica, (2017), About Art: I'm Lost Without Your Rhythm, Trondheim Kunstmuseum, Keeping Time, Villa Croce, Genova, (2016), I’m Gonna Live Anyhow until I Die, the MAC, Belfast (2012); I’m Lost without Your Rhythm, Modern Art Oxford, Moving In, Five Films, Grazer Kunstverein, Graz, (2010); Tiny Movements, ACCA, Melbourne, I’m Lost without Your Rhythm, Camden Art Centre (2009); Taking Turns, Kemper Museum, Kansas City; This Is How We Walk on the Moon, Malmö Konsthall, Malmö (2008); Forever Changes, Museum für Gegenwartskunst, Basel, Keep on Doing, DCA, Dundee (2007) and Magical World, PS. 1, New York (2006). She has participated in survey shows such as 4th Auckland Triennial, Last Ride in a Hot Balloon, Auckland (2010); Documenta 12, Kassel (2007); Belief, Singapore Biennale (2006); 9th Istanbul Biennial; 1st Moscow Biennale (2005); 50th Venice Biennale (2003). From 1998 until 2010 Johanna also ran the Make it Happen record label, publishing music and arranging live performances.
This is How We Walk On the Moon was commissioned as part of One Mile, a three year programme that took place between 2005-08. It consisted of nine projects that facilitated groups and individuals who live or work within a one mile radius of Collective to make work of mutual interest with artists. For more information about One Mile, read Can I Examine your Purpose? by Will Bradley, an essay originally commissioned in 2008 and included in Collective 1984-2009.